Saturday, January 16, 2010

Frothy Concentrated Urine

Program Jan. 20 at 2 March 2010


Program in Pdf :




schedule



Trailers by clicking on the posters:
















Eric Rohmer is died Monday, January 11, 2010 in Paris, after a brief hospitalization, he was aged eighty-nine.
The father of new wave died, leaving behind him a diverse and abundant essential, dominated by the love of beautiful language and a fascination for young women experiencing the momentum of love. Among the inventors of modernity, he predicted, as a man of immense culture, as the revival of classicism.


Interview with Eric Rohmer in 1977:





Trailer: Pauline at the Beach:




Short Film: Veronica and her dunce (1958)




Short Film: Charlotte and her steak (1951)




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Event

Saturday, January 30, 2010 8:30 p.m.



With Walter, back in strength Gilles Perret places his camera in the footsteps of Walter Bassan, 82 years old Resistant deported to Dachau, now outraged by the demagoguery, injustice and oppressions of France under Sarkozy.
A look sweet and kind, a vivid still present despite his eighty-two, Walter Bassan is a man who does not lure. Deported to Dachau after its political commitments, he continues his fight today: fight for there is no strain on the values of resistance and save the social advances of the post-war under the program National Council of Resistance (CNR).

But it is not just about memory, combines also resist this. Outraged by the appropriation and reinterpretation is that it is Nicolas Sarkozy.

Film and politics in full life story that does not disavow the humblest fellow liberation, Walter resistance return back into the center of a debate too adulterated, the real issues of justice in our society.
And not the least of its merits because too few works dare to face as a frontal system that all attack and eventually disintegrate better enjoy it.

"It's a wonderful film, a lesson in civility and courage. A spirit of optimism." Raymond Aubrac

"The methods used by Gilles Perret are outrageous. It's a mix between two periods that have nothing to do. They are methods of ideologues, the same used by the Stalinists. I feel deeply shocked and betrayed. "
Accoyer, president of the National Assembly.

A powerful film, which is in itself an act of resistance against attempts of censorship and pressure, very direct and concrete, even amazing, a great man of state.
A face-to-face between stimulating the cynicism of the proponents of order established, Bernard Accoyer-Nicolas Sarkozy and the "resistance" of humanism and optimism, Walter Bassan - Stéphane Hessel ...

The screening will be followed by a debate with many participants: LDH, RESF, Friends of the
party ... and in the presence of the director.

film site:

http://www.walterretourenresistance.com


Press:







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CINE / BISTOT / PHILO

Thursday February 4, 2010

"The occult sciences are they "



Evening presented by Vladimir


Biaggi (Philosopher and writer) and

Mark Rosmini
(Teacher of Film and Philosophy)



18:30 Midnight
in partnership with: MJC, Mediatheque Louis Aragon and the library-Clause) (Conference, Debate, Buffet , Film: 8 euros)


practices called "occult" are in vogue. Observed in our societies ravaged by doubt a renewed interest in everything that falls within the "paranormal" astrologers sometimes become media stars, marabouts promise of love, health and the lottery winnings, the works or movies to get esoteric vocation of strong commercial success. On the merits, if we than delighted about the findings or sorry, some questions arise: those practices, like old men, have they any value? Beyond trust (a form of faith?) That give them some, they deserve to be considered "science" of another kind, which would be distinguished by their methods and purposes of science say official and recognized?

The debate, led by Vladimir Biaggi (writer and philosopher), will perhaps do not decide but it should at least help us understand, whatever our own beliefs, which pushing millions of men and women to consult their horoscope or a fortune teller to confide.



Film surprise
(Prohibited to under 16 years)




Indices:





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COSTA on INDEPENDENCIA
(Click on photo)


Jeanne Balibar, singer, in his works, from Niort in Tokyo. Recording her album, Paramour, The rehearsal Perricholi; fragments of concerts. The title, Do not change anything, could be an injunction issued by Pedro Costa himself, whatever the "subject" of the film, does not change the way you shoot. Then he observed as he watched Ventura Balibar, miserable character of neighborhoods in Cape Verde Lisbon Colossal Youth! With the same accuracy requirement. This shows how Does not change is the opposite of filmed concerts forcefully crane and inserts. No Camera wild climbing the plateau, not in a lame framing assembly bling bling, but long static shots, which are full of stylized black and white and to perceive the slightest breath of "subject". "It's not staged, modestly says Pedro Costa. There is a framework, the concerts. Jeanne is free. An entity that I do not run. I just arranged forms. Behind the apparent erasure of "arranger" lies a battle each time to eliminate the parasite the way, great care to draw the only part that is worth, find the right angle, one that does not merely compose a picture, but heard its life in its fullness.


Pedro Costa this changes nothing, on the occasion of the Directors' Fortnight of Cannes Festivalde 2009. Interview and picture: Eugenio Renzi, Antoine Thirion, Quentin Mevel.








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